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Sunday, 12 August 2018

Hip Hop on depression

Hip Hop on Depression



From the very beginning of Hip Hop music, artists have used their medium to express struggles faced by themselves and their community. It’s no surprise that the theme of emotional suffering and pain shows up regularly in rap lyrics. Hearing how deeply this illness impacts so many, regardless of race, creed, background or economic status, can provide some comfort in knowing that you are not alone in your journey.

Young black men experience a lot of trauma. They’ve lost people, seen violence, been humiliated by the society. In this song Turm communicates many feelings most have when death occurs, especially at random, undeserving times.

This is the fourth installment on his ‘13 August Freestyle’ marathon, he releases yearly to celebrate his birthday with his fans.


In this emotional roller-coaster there's a sense of weariness due to anxiety of his past and present life difficulties, nonetheless it's one of Turm’s more philosophical raps that truly explains his relationship with God and how seriously he takes death.

First verse he is reading his suicide note. In which he outlines all his struggles, suffering and fight with depression, from feeling trapped in his own body, not being able to sleep, confidence and self-esteem dropping to feeling like a disappointment to his family and hurting the mother of his child endlessly – he feels he has lost purpose in this life and in turn this leads to him taking his own life. He chooses every word carefully showing that deep inside he doesn’t want to die, but he can’t deny it will end his struggles. 

Second verse his spirit is floating on earth, all confused looking at the pain he has caused. This verse has close links to scenes from the book of Revelations, he is in heaven where he is to receive his divine judgement, but he realises that he has sinned and now feels bad for putting his loved one through that pain and he thinks he is going to be sent hell. He asks God for his life back, a second chance so he can go home and be a better father and son but it’s too late, they’re carrying his lifeless body in a coffin.

Third verse an angel of death responding and speaking to him. It suggests that suicide is indeed a permanent solution but to a temporary problem and the big downside is its very permanence make room for other options. Also suggests that time and perspective change even the trenchant of beliefs, it goes further to tell him he should have forgiven himself, pray about it and use those problems to build himself because everyone else has their demons that they battle with, instead of being comfortable with the unfortunate ‘last’ option of victimizing himself.


It’s a perfect model to write about suicidal thoughts because there is a big difference between suicide awareness and suicide prevention, it’s very easy to glamorize it and get the message wrong. “Art can connect people with sufferings, but there has to be hope on the other side. It does not have to end in tragedy if you give people an action step.” – Draper

When rappers open up, fans listen; and this case, they’re moved to open up too. Now that the genre is finally more open to its dark mental storms, how should artists write and work in honest ways, while also helping those who are truly suffering?

By Shabba-Pen

For counselling queries e-mail: zane@sadag.org

To contact a counsellor between 8am-8pm Monday to Sunday,
Call: 011 234 4837 / Fax number: 011 234 8182

For a suicidal Emergency contact us on 0800 567 567

24hr Helpline 0800 12 13 14
www.sadag.org

Friday, 3 August 2018

Dj 949 is a multitasking Hip Hop Dj/Producer

DJ 949 is a multi-tasking Hip Hop producer and a DJ


You may not know the name Setshaba Maganyela, but if you are a fan of local acts and real Hip Hop head that enjoys the streets-inspired and handcrafted occasional hop you know who DJ 949 is.

Some artists use nicknames that they have had their whole life, while other MCs and Djs create an entirely new persona, Setshaba decided to keep it simple and use his birthdate, September 9th in 1994, so keeping up with the theme, DJ 949 was born.

As a local Dj, Setshaba started small like many other, to mention the recent few, in 2017 he played at HHC Awards in Burgersfort, Hip Hop in the Park (SK) and also played at Sekhukhune Picnic hosted by Mzansi Humour, the same year he did a radio tour with SK FM and Mascom FM.

His hard work and dedication did not stop there as he continued to work his way to consistent gigs and eventually winning the Best Producer of the Year (2017) at BEM Limhop Awards.

Working with local talent, DJ 949 dropped a beat-tape with SK’s finest and renowned producer Kay Beats. His 100% local Hip Hop mix aired on TransAfrica Radio Channel DSTV872, OVHD609.

He also showcased beats at F.C.A event in Johannesburg, K1 where the guest artists were the members of South African Hip Hop outfit hailing from the Vaal, Rapper Golden Shovel and MC/Producer - Battlekat.

DJ 949 really made his mark when he represented the whole province (Limpopo) in the biggest Hip Hop Festival in Africa, the mighty Back To The City(BTTC) hosted in JHB, Newtown with over 30 000 spectators and made it to Top 20 of South African Hip Hop producers and see himself coming second in the 10K producers challenge.


Dee-jaying wasn’t the initial draw for Setshaba. He says he was inspired by his uncle who was also a House music DJ. “My love for Hip Hop developed back in 2004 when my brother used to play old school Hip Hop music videos ....I was inspired by DJ Premier as he would always appear on music videos punching mpc pads and doing vinyl scratches.”

At the age of 24, DJ 949 has been dee-jaying since he was 18. “In 2012 I took interest in beat-making, my high school friend hooked me up with a fruity loops studio and taught me the basics of how it works then I started working on dopeness that people are only hearing now” 949 said.

Hip Hop was founded by DJs. DJ Kool Herc to be specific on 11 August 1973, inspired by ladies, dee-jaying for his sister Cindy at her party in 1520 Sedgwick Avenue. Since that party and throughout the 80s and 90s, Hip Hop has always been all about DJs as the linchpin of experimentation with the practice of scratching, mixing and cutting. DJs and/or producers play a major role in the foundation of turning a simple track into a song and despite of all that, they still do not get enough recognition for their dedication and hard work.

The DJ is no longer part of the creative role with the shared responsibility for the overall sound and the live performance. And not only does this cripple the growth of Hip Hop Djs but makes it hard for the current ones to make a living out of their craft.

Like any other artist in this fast pacing competition filled-industry, DJ 949 aspire to get more paying gigs nationwide for both dee-jaying and beats presentations. He said “anyone can help by booking me to deejay at any event or donate me Dee-jaying gear /mpc resonance or money to buy one, I would appreciate anyone who wanna help”

For bookings and contact with DJ 949:

Contact number: 0721819919
Email: setshabamaganyela@gmail.com
Twitter: @DJ949_Sa
Facebook: Dj nine four nine setshaba maganyela

His work is also available on Soundcloud, Audiomack and Fakaza.com
https://soundcloud.com/user-10407735/do-it-now-freestyle-prod-by-dj-949
https://audiomack.com/song/dj-949-sa/do-it-now-freestyle-prod-by-dj-949